For this reason he refused to make electric guitars, though many beseeched him to do so. “Thinking of efficiency will hinder the production of genuine guitars.” By focusing solely on the acoustic guitar and its sound, Yairi hoped to achieve perfection with every instrument. “A well-experienced luthier selects the best material and processes them one by one, regardless of the time needed for each painstaking step,” he said. Distinctive mahogany dovetail neck joints added to the warm, thrumming heart of his guitars, while an open-pore finish on the back and sides of his instruments allowed the wood to breathe and the sound to flow.īut mostly it was his tireless attention to beauty, and to the materials, that made Yairi’s abalone-pitted, mocha-toned rosewood instruments stand out. Musicians also praised his skill in developing innovative features, such as the K Yairi “Direct Coupled Bridge” (or DCB), which gave his instruments their responsive feel.
K YAIRI GUITARS REVIEWS MANUAL
Musicians like McCartney agreed, preferring Yairi’s guitars for renditions of Blackbird and a specially designed K Yairi (as the guitars are also known) tuned down two notches for performing Yesterday.ĭrawing on centuries of traditional craftsmanship, Yairi believed that the most laborious methods of wood selection, preparation and manual carving - or “listening with your hands”, as he put it - were central to creating the ideal sound.
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“Good guitars are made of good wood, by good craftsmen” was the simple philosophy behind the creation of his Alvarez-Yairi acoustic guitars in the Spanish style.
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In an era when many guitar manufacturers employ computers, lasers, and robotics in a race to produce more guitars faster, Yairi’s genius was to rely solely on the use of hands and hand-tools. Kazuo Yairi was a Japanese classical guitar luthier whose fixation with acoustic sound drove him to make beautiful, resonant guitars favoured by musical such greats as Sir Paul McCartney and Carlos Santana.